David Nail: Hotel Keys Tour
Hailing from Kennett, Missouri, David Nail is well-respected up and down Music Row. Some might even call him a “tour de force” as his songs pull no punches in evoking the demons with which he has wrestled through much of his life. The GRAMMY-nominated multi-platinum singer/songwriter’s early releases, I’m About To Come Alive, The Sound Of A Million Dreams, I’m A Fire and Fighter, ignited his reputation as an innovator and creative risk-taker yet left Nail feeling restless. This led to the departure of the only record company home he’d ever known, MCA Nashville, where he’d formed friendships that endure even now. Through dealing with his own journey of mental health and the feeling of needing to “rebel against what people expect you to be,” Nail began making his most “organic” work to date, David Nail & The Well Ravens, with Jason Hall and Andrew Petroff. That project liberated Nail and propelled him into his next adventure. Writing solo for the next few months led to his debut solo independent EP Oh, Mother, a reflective piece of work. Of the title track, Rolling Stone noted that “the song creeps in like a sunrise — quiet, restrained cello and keys are the only underpinning for Nail’s powerful vocals at first. But then it slowly builds to something more massive and majestic.” That release was followed by Bootheel 2020 and Bootheel 2021, projects dedicated to the singer/songwriter’s hometown in the “bootheel” of Missouri. Nail released an EP titled Best of Me in 2023 and the title track has seen heavy press support and country radio airplay. 2024 brought more touring than ever, two great single releases “If I Could Call” and “Why” featuring Aubrie Sellers. Nail plans on releasing the start of an excitingly different and elevated album project this year leaving behind any self-imposed restrictions. In Nail’s own words, “My philosophy has always been, I just hope to have a good enough year that I can have a next year while staying as true to myself as I possibly can.
Barrington Levy
One of the great success stories of the 80’s, arrived on the dancehall scene and swiftly remodeled it in his own image. Although numerous DJ’s and vocalist would rise and fall during this decade, Levy was one of the few with staying power, and he continued releasing massive hits well into the 90’s. Born in Kingston, Jamaica, as a youngster, Barrington Levy formed the Mighty Multitude with his cousin Everton Dacres. They started off playing the sound systems and cut their first single, “My Black Girl,” in 1977. All of 14, Levy broke out his own the next year and recorded his debut solo single, A Long Time Since We Don’t Have No Love.” It didn’t have much of an impact, however the teen’s appearances in the dancehalls were eagerly awaited events. It was at one of these that Levy met former singer turned producer Junjo Lawes and New York-based producer Hyman “Jah Life” Wright. The pair took the youth into King Tubby’s studio, accompanied by the Roots Radics, and recorded a clutch of cuts. The first fruits of this union were “Ah Yah We Deh,” quickly followed by “Looking My Love”, and “ Wedding Ring Aside.” Success was immediate, but it was the mighty “Collie Weed” that really cemented the teen’s hold of dancehall.
John Waite
John will be performing his catalogue of hits from his 40 year career as a solo artist, with The Baby’s and Bad English. John Waite’s catalogue of hits features some of the most loved songs of the 80s and 90s – the #1 Worldwide hit ‘Missing You’, The Baby’s ‘Isn’t It Time’ and Bad English ‘When I See You Smile’ rank amongst some of his biggest international hits and are still heard on radio today. Others include ‘Tears’, ‘Change’ and ‘These Times Are Hard For Lovers’. ‘Every Step Of The Way’ and ‘If Anybody Had A Heart’ appeared on the soundtrack to the 1986 Demi Moore film About Last Night. ‘Deal for Life’, penned by Martin Page and Bernie Taupin, was featured in the Days Of Thunder soundtrack. As a solo artist and as the lead singer of The Baby’s and Bad English, John Waite was a fixture of album-oriented rock radio stations during the ’70s and ’80s. John Waite had a talent for power ballads and driving arena rock, occasionally touching on new wave-styled power pop as well.
Live From Laurel Canyon
LIVE FROM LAUREL CANYON “Live from Laurel Canyon – Songs and Stories of American Folk Rock” is an evening of live music and narrated stories of some of the most influential songwriters who lived in Laurel Canyon in the mid 1960’s and 70’s. Similar to other legendary rock and roll neighborhoods of the same era like Haight Ashbury in San Francisco or Greenwich Village in NYC, Laurel Canyon was a community of artists who would forge a new genre of music (Folk Rock) and forever change the look, sound and attitude of American pop music. Live from Laurel Canyon celebrates The Mamas and The Papas, the Byrds, Buffalo Springfield, Doors, Crosby, Stills, Nash, Neil Young, James Taylor, Carole King, Joni Mitchell, Jackson Browne, Linda Ronstadt, America, and the Eagles with their own unique interpretations of some of the most iconic songs of the era. Much more than a ‘tribute’ act, Live from Laurel Canyon not only performs the music you love in a new and unique way but shares with you the stories that inspired them. Live from Laurel Canyon is a journey through a special time in American pop music… won’t you join us?
Iam Tongi
You can hear it in the gentle rasp of his wave-washed vocal soul. You can see it in his smile. For Iam Tongi, music is about transformation – and it always has been. A Hawaiian-born singer-songwriter and the Season 21 champion of American Idol, the 20-year-old Tongi first picked up a ukulele in the fifth grade, immersed in a deeply musical world filled with the traditional singing and dance of Pacific Island cultures. Living in the small town of Kahuku on the northern tip of Ohau, Tongi learned to sing from his father, who in turned had learned from his father before him. Clearly blessed with an expressive, charismatic voice, Tongi was pushed hard and developed a multi-faceted sound blending island reggae with the influence of his family record collection – which included country (Kenny Rogers), classic rock (Dr. Hook), and R&B (Luther Vandross). By 13 Tongi had played his first show, but after moving to Seattle a few years later – and losing his father in 2021 – the young talent nearly gave music up completely. His mother secretly signed him up for American Idol, and after Tongi’s viral audition performance of James Blunt’s “Monsters” became one of Idol’s all time emotional highlights, he went on to win Season 21, making history as the first Pacific Islander to ever win the show. With a thriving fanbase which supports millions of global on-demand streams and social media followers and nationwide concert tours, Tongi now begins a new chapter of life and music. Teaming up with acclaimed songwriter/producer Johnny Reid, his 2024 single “Road to Hana” marks a creative transition leaning into his cultural heritage and musical roots – but also the man he’s become. Fusing breezy beach balladry and sunshine country with laid-back soul, gospel, and more, new music is in the works, as Tongi looks to spread a feel-good message of positivity to the horizon, and beyond.
Skerryvore
What are Skerryvore? They’re like no one else. Epic of melody, intimate of feeling and plugged into the roots of Scotland but blasting out to the world. Three time winners of Scotland’s ‘Live Act of the Year’ award, Skerryvore have evolved from their humble beginnings to become one of the country’s leading forces in a thriving live music scene. At the forefront of a movement that has reinvented and reignited a traditional Scottish scene for a modern, multicultural audience, the band have brought their high energy performances to audiences across the globe. From their early days in Scottish West Coast halls and bars, to festival crowds in the USA, Canada, Australia and throughout the UK and Europe, Skerryvore’s wide range of influences and talent produce a musically expansive, immersive yet intimate set that excites and captivates audiences. With a mix of bagpipes, fiddles, accordions, and whistles, alongside guitar and vocals, underpinned by driving bass, drums and keys, Skerryvore represent the best in contemporary Scottish traditional music. Their now 7 studio albums demonstrate the wide range of influences the individual musicians bring to the mix – a unique fusion of folk, trad, pop and rock. Three singles from the latest album ‘Tempus’, released in April 2023, all featured on the BBC Radio 2 new music playlist, and the album went to number 1 in both the Official Scottish Album and UK Folk Albums charts, and entered the top 40 in the Official UK Charts. Skerryvore took their Tempus Tour to audiences across the UK, Europe and USA, with their unique fusion appealing to a wider mix of age groups and tastes.
Kathleen Edwards
Acclaimed singer, songwriter and performer Kathleen Edwards returns with her highly anticipated new album, Billionaire, August 22 on Dualtone Records. Evoking her debut, Failer, the new 10-song album is full of Edwards’ trademark lyrical sharpness and unflinching observations and was produced by Jason Isbell and Gena Johnson. Celebrated as one of the forebears of modern alt-country and Americana music, Edwards is beloved by fans and fellow musicians, and praised by The New York Times for her, “droll, observant and unsparing tone that is all her own. In her best lines, Edwards has the conversational vernacular and emotional eloquence of a great short-story writer.” Since debuting in 2003, Edwards has released five albums, including 2020’s Total Freedom — her first after stepping away from music for almost a decade. Released to overwhelming acclaim with pieces at The New Yorker, The New York Times, Rolling Stone and more, Pitchfork called it, “a creative breakthrough, written solely for the thrill of discovery,” while Rolling Stone declared it as, “devastatingly great.” Most recently, Edwards released a covers EP featuring special guests Isbell, Bahamas and Daniel Tashian and including renditions of Isbell’s “Traveling Alone,” Bruce Springsteen’s “Human Touch,” The Flaming Lips’ “Feeling Yourself Disintegrate,” Tom Petty’s “Crawling Back To You” and more. She has been nominated for multiple JUNO and Americana Awards and, in 2012, was awarded the SOCAN Songwriting Prize.
Atlanta Rhythm Section
The Atlanta Rhythm Section… ARS… In the annals of rock and roll, where do they fit? They put out 15 albums of excellent original material, and consistently put on entertaining live shows-both of which helped establish a broad if not huge fan base. They had some big hits and have been a major player in the Southern Rock scene. But is that the whole story? In some circles, maybe. But for those who’ve really gotten to know their music over the years, there’s a lot more to the story. ARS was paired with contemporaries Lynyrd Skynyrd as the successors to the Allman Brothers – carrying the mantle of “Southern Rock” in the late 70s. Based in Atlanta, Georgia, it may have made sense at the time. But performing songs that were more musically diverse and having hits that had a softer, pop sound, the “Southern Rock” label was a mixed blessing and many of their unique musical accomplishments became lost in a genre that has lived on to this day-but never really fit ARS.
The Dollop with Dave Anthony and Gareth Reynolds
The Dollop w/Dave Anthony and Gareth Reynolds History buff and comedian Dave Anthony was considering starting a new podcast in 2014. His idea was to write up an unknown story from American history and read it to a different comedian each week. Having not heard of the story before, Dave hoped the comedian’s reaction would be hilarious. He gave it a go and his first guest was comedian Gareth Reynolds. They immediately clicked and fans flooded social media telling Dave to never change the co-host. And he didn’t. Sticking to the formula of Dave reading Gareth a story he has never heard, The Dollop quickly shot up the charts. Fans of both comedy and history were drawn to the wild stories and quick improv skills of Gareth. With millions of downloads, The Dollop has become a regular presence on top of the podcast charts, as well as selling out shows in both the US and Australia. **The Dollop Q&A Ticket includes a post-show Q&A with Dave Anthony & Gareth Reynolds**
Asleep At The Wheel – Happy Trails Tour – With The Shootouts
For over fifty years, Asleep at the Wheel’s Ray Benson has been traversing the globe as an ambassador of Western swing music and introducing its irresistible sound to generation after generation. More than 100 musicians have passed through the Wheel, but Benson remains the front man and the keeper of the vision, in the process racking up more than 30 albums, ten Grammy awards and literally millions of miles on the road. “I’m the reason it’s still together, but the reason it’s popular is because we’ve had the greatest singers and players,” Benson explains. “When someone joins the band, I say, ‘Learn everything that’s ever been done, then put your own stamp on it.’ I love to hear how they interpret what we do. I’m just a singer and a songwriter, and a pretty good guitar player, but my best talent is convincing people to jump on board and play this music.” Asleep at the Wheel has collaborated on records with genre-spanning friends, including Willie Nelson on 2009’s Grammy Nominated Willie and the Wheel and other critically acclaimed artists, including Brad Paisley, Jamey Johnson, Merle Haggard, George Strait, the Avett Brothers, Amos Lee, Old Crow Medicine Show and Lyle Lovett on Still the King, their 2015 critically acclaimed and Grammy winning tribute to Bob Wills. On their latest release, Half A Hundred Years, Asleep At The Wheel continued their contributions to the American music landscape when three original members of Asleep at the Wheel—Chris O’Connell, Leroy Preston, and Lucky Oceans—returned after 40 years to lend their voices and musicianship to a number of tracks on the album along with Emmylou Harris, Lee Ann Womack, George Strait, Lyle Lovett and Willie Nelson. Asleep at the Wheel represents an important cornerstone of American roots music, even though some of its members and audiences represent a new generation. That far-reaching appeal remains a testament to Benson’s initial vision. “It took me 60 years, but I’m doing what I’m meant to do—singing and playing and writing better than I ever have. A bandleader is just someone who gathers people around them to play the best music they can play. I just try and make the best decisions